Thursday, 28 March 2013

Indie Roundup #3

Indie Roundup #3
 
Since im going away next week for 10 days and won't be able to post for a while, I thought I would do another indie roundup before I leave... Here's 3 of the best indie and arthouse films that I recommend you watch along with their trailers so you don't have to bring YouTube up!
 
Submarine
 
 
Submarine is a brilliant film if you're in the mood to laugh and you love deadpan British humour, the film is filled with cynical and quirky jokes that delivery every time. It's a film about a teenage boy and his coming of age in a small Welsh town, its based on a critically acclaimed book of the same name, and borrows many of the jokes found in the book for the film. The film is the directorial debut of Richard Ayoade, the nerdy one from The IT Crowd, and is very impressive for a debut. The performances certainly help, with Craig Roberts' fantastic role as Oliver Tate being one of the most hilarious I've seen in a long time, Paddy Considine as the slightly mad Graham is also a brilliant performance, and proves that he doesn't just have to play dark roles like that of his acclaimed Dead Man's Shoes performance. The film sounds beautiful, with an unusually quiet and relaxing score by The Arctic Monkeys front runner Alex Turner providing the film's music, which really works with whats happening on screen. The film looks beautiful too, with rich colours and gorgeous backdrops giving the film its own unique look, the camera work is also brilliant, using quick cuts and Wes Anderson style uber close ups mixed with nostalgic super 8 montages. Speaking of Wes Anderson, the film appears to borrow many elements from his films, most noticably the humour, as Submarine's deadpan humour matches Anderson's films perfectly. That being said, Submarine is a wonderful coming of age film, and anyone who loves British comedies should definately give it a watch.
 

 
The House of the Devil
 
 
The House of the Devil is an indie horror film that is a complete throwback to the 80's. Its a film that is not just inspired by 80's horror films, it IS an 80's horror film, just released in 2009... From the opening scene its clear that this isn't your typical modern teen horror film, the retro soundtrack and titles are blatantly inspired some of the classic slasher films like A Nightmare on Elm Street and Halloween. The film appears to follow the same sort of plot you have seen before, a babysitter goes to a house in the middle of nowhere to be told she is in fact babysitting the owner of the house's mother, its all a very standard affair. The difference here however is that the director, TI West (Innkeepers, segment in V/H/S), turns every expectation you have on its head, making the film more of a send up of those 80's films. This isn't to say that the film isn't scary, it is, the tension that West builds up as Samantha is roaming the house with her Walkman on, listening to loud music as we know something more sinister is happening is almost unbearable. The gory payoff at the end however is well worth the nerve crushing build up, and the ending credits are a brilliant play on expectations. If you're looking for a nostalgic indie horror film that breaks all the rules, then look no further than The House of the Devil.
 
 
Another Earth
 
 
I will be the first person to admit that this film has its flaws, yes its not perfect, but since when was perfection the only thing worth watching? This is a drama film disguised as a sci-fi, which seems to be the reason that some people are upset about it, it does not conform to your expectations and therefore some people found it to be frustration. I personally think that while it might not be a sci-fi film, its a brilliant drama. The film revolves around Rhoda (Brit Marling), a girl who crashes her car into another car after a party and kills a mother and her son who were inside, its also about the discovery of another earth identical to this one, which is the cause of the crash itself as Rhoda is looking towards the sky. When Rhoda  wins a ticket aboard the first flight to this new earth, she begins to ask questions about what she will find there, and whether her parallel self will have made the same mistakes that she did. The film is also somewhat of a love story, Rhoda decides that she wants to meet the husband of the mother who died in the crash, and becomes his cleaner in an attempt to apologise and make up for her mistakes, the two then fall in love at which point she tells him who she is. The film is very quiet, yet packs an emotional punch, the performances are all very downplayed, which makes the film seem much more human and real, despite its themes. While some complained about the end of the film, I felt that it was perfect, and really brings about more questions once the credits have ended. If you're looking for an intelligent drama about life, regret and consequences, then check out Another Earth.
 
 
That's it for this weeks indie roundup, I'm on holiday next week so expect some new posts and reviews in a couple of weeks when I'm back, keep checking my twitter for more info! 


Saturday, 23 March 2013

Compliance Review

Compliance Review
 
 
Compliance is a very unnerving and disturbing film, and the fact that its based on true events only heighten the sense of dread. Its a film which will leave you shocked and distressed, its a film which will have you wanting to scream at the screen in frustration.
 
The plot, based on real events, mostly takes place in a fast food resteraunt (a McDonalds in real life but a Chickwich in the film), and revolves around a reported robbery performed by one of the employees on a customer. Its a narrative which asks questions about authority, the nature of a hierarchical structure and how far someone will take orders from someone they think is of a higher position than themselves. I don't want to spoil any more of the plot, but just know that it is very unnerving, distressing and frustrating all at the same time.
 
The film's cast is superb, and without it I don't think the film would have had such a big effect on me. The lead performance of Becky, played by Dreama Walker is brilliantly understated, and her downward spiral into complete and utter compliance is astonishing and brilliantly acted. Ann Dowd's performance as the manager of the restaurant is perhaps the most unnerving thing about the film, and she provides a final scene which digs deep into your brain and stays there for the rest of the day, the commentary about authority spoken through Ann Dowd's performance is engaging and by the end of the film will bring many questions to your mind.
 
The cinematography is gorgeous, and while most of the film is set in the fast food joint, its filmed in a way to make it feel like a prison. The juxtaposition between what's happening in the office with shots of trashy fast food, greasy chicken and dirty water is brilliant, and provides a wonderful sense of self awareness to the film.
 
I would recommend this film wholehartedly to anyone who is looking for a film that will horrify you, without being a horror film. Zobel has created a masterclass in suspense, Compliance is a truly shattering film based around engaging themes that anyone under employment can relate to, and has in my opinion produced one of the best films of the year so far.
 
9/10


Friday, 22 March 2013

Oz: The Great and Powerful Review

Oz: The Great and Powerful Review
 
 
I'm not usually a fan of these kinds of films, and 2011's Alice in Wonderland remake left me disappointed, so I went into this film with no real expectations of it being anything but a glossy popcorn flick, and to a certain extent I was right.
 
The film's plot is loosely based on 1939's The Wizard of Oz, one of my personal favourites, and is designed to be a prequel to that film. As with the sequel Return to Oz, I found that the film didn't really manage to meet my expectations of what a prequel to the original should have been, it did however at least try to link it together. The plot revolves around a con man/magician called Oz, who gets swept up in a tornado and ends up in Oz, where he is part of a prophecy to bring peace to the land. Its all a very standard affair, and while the film neatly links in with the original, I still found the plot to be mediocre at best, and lacking in any originality.
 
The film is undeniably pretty, some of the sights and backdrops in Oz are beautiful, and the 3D provides a sense of depth not unlike Avatar. The 3D effects in the film were impressive compared to the recent Hobbit film and it utilised the slightly gimmicky, but impressive all the same, "pop out" style effects, which were best used during the beginning of the film. The film starts out in black and white and in a 4:3 ratio, which I actually preferred to the wide screen colour of Oz, it was refreshing to see the classical Hollywood look, even if it was for a brief amount of time.
 
The performances in the film were hit and miss, James Franco's cheesy grin got on my nerves by the end of the film, and his performance wasn't up to scratch when compared to something like 127 Hours. Mila Kunis also seemed slightly out of her comfort zone, and she sounded fake and awkward in this kind of role, and she is much better suited to roles such as her Black Swan performance. On the other hand Michelle Williams played a solid part, and while she seemed to be going for the Marilyn Monroe style breathy, doe eyed look, it did work in the context of the film and provided a break from Franco's annoying and cheesy role. Rachel Weisz also played a good part, appearing suitably evil and menacing, and (thank god) doesn't try to put on an American accent to fit in with the others.
 
I went to see the film in the D-Box, which is the new motion seat technology being implemented in cinemas. For the first half of the film I found it to really add to the atmosphere, and coupled with the 3D provided an tremendous sense of immersion, especially during the hot air balloon scene at the beginning. By the middle portion of the film however it seemed as though the seat was just repeating the same effects, jolting when someone casts a spell or vibrating continuously through the tornado scene, and I found myself just wanting to watch the film without being jolted around. The seat will work for some films better than others, and while It was used effectively to some degree, I found it tedious by the end.
 
This film then, is a film designed to engage you in it's plot and excite you, and do nothing else, and while I don't have a problem with that, its not really my cup of tea. However I'm going to score it based on how good it is compared to other Hollywood Blockbuster type films, rather than base the score on how good a film it is altogether. If you're looking for a popcorn film that will provide some light entertainment for 2 hours, or you have kids, I would recommend Oz. For anyone else who is looking for a thinky film, don't bother with this one.
 
6/10


Thursday, 21 March 2013

Indie Roundup #2

Indie Roundup #2
 
Back for another Indie Roundup! Again it's 4 indie films that I think you should watch, along with a small review of each and the trailers to save you switching between the blog and YouTube.
 
The Skin I Live In
 
 
I'm a massive fan of Pedro Almodovar, I think he's one of the great European Auteurs of the 20th and 21st centuries and this is one of his best. The Skin I Live In is a glossy European body horror/thriller film about a man who has an obsession for creating the perfect skin. I won't reveal any more than that, just know that there are film altering plot twists that you really won't see coming! The film is beautifully shot, and Almodovar's signature style shines through the cinematography, the use of colour and set has always been an integral part of Almodovar's work and this film is no exception, you can practically feel the love that has gone into this. The film itself is a tense and mysterious thrill ride from start to finish, and will definitely keep you on your toes, I'm gonna recommend this to anyone who's into European arthouse films, or anyone who is in the mood for a beautifully crafted thriller that will thrill, surprise and perhaps even move you.
 

 
 
Lost in Translation
 

 
Ahhh Lost in Translation, one of my favourite films of all time. I just love everything about this film, the direction, the performances, the plot, the score, the mood, everything. The film's plot revolves around two people who are stuck in Tokyo for different reasons, and who end up making friends and hanging out with each other, I won't spoil any of it but just know that it's a beautifully downplayed and tender story that WILL make you weepy by the end. The cinematography is absolutely mind blowing in this film, every shot gives me shivers and the Tokyo setting is incredible, the film is stunning, and every shot is laced with some of the best music I've heard in a film. Both of the lead performances, Murray and Johansson are career bests in my opinion, and they compliment each other perfectly, with the dry sarcasm of Murray and Scarlet's tender and vulnerable role in perfect harmony with each other. I cannot recommend this film enough, and for anyone who is put off by it's indie style please don't be, its very easy to watch. Here's the trailer along with one of my favourite scenes.
 
 

 
*Goosebumps*
 
Cafe De Flore
 

 
This is another great arthouse film, and while it may not be perfection like the previous two, its still a wonderful and emotionally charged film. Anyone who has been in love can relate to this film, and that's what the film's central theme is, the film delves deep into love as a concept, and manages to answer questions that a lot of us have wondered. The narrative is split between two different time periods, one in 1960's France and the other set in modern day Montreal, the two different stories are linked heavily, and the final act of the film brings the two together in a somewhat Lynchian manner, it can be confusing at times but by the end you'll understand whats going on. The film is shot beautifully, and the locations in the film are magnificent, particularly the Paris storyline which features some great locations. The film is designed to be extremely moving, and it managed to achieve its aim, for me anyway. The music in the film helps, with a mixture of beautiful tracks by bands like Sigur Ros and modern electro music to fully involve you in the film. If you're looking for an art house drama about love that you need to think about and engage with to appreciate, then look no further than Cafe De Flore.
 
 
Dancer in the Dark
 
 
Lars Von Trier films are always a controversial subject to talk about, purely based on the fact that he's either a love him or hate him director, his films are all very dark, and deal with intense themes and issues. His personal life has also been attacked, which came to a head with his outburst about Hitler at Cannes 2011. When you strip back all of this negativity and controversy, his films are actually rather good. This film is one of his best, and is a musical/antimusical about a woman who is slowly going blind. It's well known to be one of the most soul crushingly devastating films ever made, and by the end of it you'll be depressed for days, this shouldn't put you off though, the film is beautifully made using handy cams and taking influence from Trier's own Dogme movement, whereby the film is shot using natural light and following the rules of the manifesto set out by himself and Thomas Vinterberg, the film is not true Dogme 95, but it takes much influence from that movement. Bjork's performance astonished me, and it turns out that as well as being a brilliant musician, she can also act, the supporting performance from Catherine Denevue is also wonderful, and all of the characters ooze passion. The film is very hard to watch, due to both it's subject matter and the general tediousness of the musical numbers, which seem to take up half of the film, while I think its a refreshing change to the musical genre, I would have preferred it as a straight drama. In any case if you're looking for a very arty drama, one which is immensely disturbing and upsetting I would recommend this film, I wouldn't recommend it to anyone who isn't in the right frame of mind to watch it, as it can at times seem like a workout.
 

 
That's It for this weeks Indie roundup, I'll try and bring you a new one in a few weeks!


Monday, 18 March 2013

Maniac Review

Maniac Review
 
 
What an absolutely brilliant horror film! I've been looking for a film that really tried, and this one really does.
 
Maniac is a remake of the 1980's cult film, which was widely panned by critics but gained a somewhat underground cult status along with other nasties of the time. While I haven't seen the original, I can safely say that the remake is brilliant. The film is mostly all filmed from a first person perspective, the perspective of the killer, who in this case lives up to his name, this adds a disturbing level of voyeurism to his actions and make the film even more repulsive. Maniac is full of blood, its a gore hound's dream, not stinting on close up shots of scalps getting cut off to reveal the skull, knives being rammed through throats and the final scene of complete and utter carnage. The gore in the film invokes a sense of early 80's body horror, using effects in ways like Cronenberg and some of the video nasties did in an attempt to make the audience recoil in disgust, which it managed to make me do.
 
Elijah Wood's lead performance couldn't be further away from his most well known role as Frodo in The Lord of the Rings, and proves that he has acting ability away from Middle Earth. The performance was laced with a disturbing sense of complete and utter madness, and the use of his thoughts as a narrative device, with his sick imagination being broadcast to the audience, was equally unnerving. The film's narrative is not original at all, there are minor plot twists that can be seen coming, and some of the film is unrealistic, but most horror films demand a suspension of your disbelief, and so however unrealistic the narrative gets it still manages to invoke the horror it sets out to do.
 
Aja has managed to create one of the most inventive horror films (in the cinematic sense) that I have seen in the last 5 years, and in my opinion has given birth to a masterclass in horror, suspense, gore and general nastiness that has been needed for a long time in the Horror film industry. When compared to recent outings like Mama, The Woman in Black and The Devil Inside, its clear that while this film might seem more "arty" to some people, its still magnificently entertaining.
 
If you're looking for a well directed, well thought out piece of horror I highly suggest seeing this film. Its scuzzy, inner city feel and revolting and brutal gore make it a must see for gore hounds, and its indie credentials make it a worthy candidate for anyone who enjoys a break from the typical Hollywood horror affair.
 
9/10


Side Effects Review

Side Effects Review
 
Side Effects is a great thriller, although one that I was admittedly expecting. When Soderbergh is at the helm it is standard practise to expect something that has thought and care put into it, and this film continues the trend.
 
Side Effects manages the controversial themes of the American medical industry, mental health and suicide in a stylish package that is well thought out and directed. The narrative twists and turns and essentially revolves around a murder, which is then investigated and the murderer trialled. While this may sound like a standard episode of CSI, Side Effects manages to make the subject a lot more interesting with the use of some great unexpected plot twists and some brilliant characters.
 
The performances in the film are spot on, with the 4 main characters (Law, Mara, Jones and Tatum) all pulling off exciting roles, using their skills to the best of their ability. The standout performance has to be Rooney Mara, who's previous role in The Girl with the Dragon Tattoo proves that she is a force of magnificent talent in the film industry. She manages to create a sense of foreboding, a sense of creepy unease that only gets stronger as the film progresses. The direction is again solid, with Soderbergh's usual glossy and stylish visuals merged with a more indie kind of cinematography. He also has a lot of things to say about the medical industry in Side Effects, dealing with very similar themes in 2011's Contagion, the commentary is however no less engaging.
 
I only had one real gripe with the film, and that was the final quarter, while the film had me hooked for the first three quarters, the final act I found was somewhat underwhelming, and lacked the sense of excitement and mystery that the rest of the film has.
 
In any case, if you're looking for a stylish Hitchcock-like thriller with a few excellent plot twists that will keep you guessing, along with solid performances and an assured direction, Side Effects is for you.
 
8/10


Saturday, 9 March 2013

Anime Roundup #1

Anime Roundup #1
 
Since I'm not going to be seeing any new films for a while I thought I would recommend you something to watch in the meantime. While anime films are often brushed off as being for kids or teens, a lot of anime films are actually aimed at an older and more mature audience. In the anime roundup I'll be recommending three films that you should watch, along with a small review of each.
 
Spirited Away
 
While this might seem like an obvious choice to anime fans, I think it's a great place to start if you want to see what anime can offer in a mainstream package. Stuido Ghibli, who have been making anime films for more than 25 years, are like the Walt Disney of Japan. Their films have a recognisable quality to them which makes them stand apart from a lot of the more action and comic book orientated anime films. Spirited Away is directed by the godfather of anime Hayao Miyazaki, it is arguably their best offering. The film follows the adventures of Chihiro, a girl who gets separated from her parents and transported into a magical world filled with strange and wonderful creatures, it really is a good old fashioned adventure film, and at a running time of over two hours it really manages to cover a lot of ground. I'd recommend this film to anyone who hasn't yet watched an anime as its a great way to introduce the genre.
 
                                     
 
The Girl Who Leapt Through Time
 
                      
This is again a nice introductory anime film that anyone can watch without having seen an anime film before. Its a sci-fi film about a girl who finds a way to time travel, as she attempts to use it to her advantage she realises that she can't always get what she wants. The film blends sci-fi, fantasy, comedy and drama to create a film that anyone of any age can watch and understand. It might not be the best that the genre has to offer but if you want a stepping stone between Ghibli films and some of the more hardcore anime films then this is it.

My Neighbour Tororo
 

                 
I couldn't make an anime list without including one of my all time favourites! My Neighbour Totoro is an excellent kids film, but one that can also be thoroughly enjoyed by adults and grandparents. The film is about two kids who move house and come across the creature called Totoro, this leads onto some adventures and misadventures that I won't spoil. The film oozes love and care, and has a genuine heart, which can't be said for most of the kids films that are coming out nowadays. The film has a beautiful soundtrack too, which gives the film a completely magical feeling. The character has spawned a sort of cult fan club, and you'll be able to find Totoro merchandise in most cities around the world, its also be referenced a lot, with a Totoro making a cameo himself in Toy Story 3! If you want a film that you can watch with your kids, or a film to make you feel happy then I wholeheartedly recommend Totoro.

 
That's it for the Anime roundup this week but I'll be carrying it on across the coming weeks with more recommendations!